![]() It is more important than ever to captivate your audience. ![]() As important, human interest stories are conveyed in a manner that puts you at the heart of the event by driving emotions to create thought, which leads to action. The content of a human-interest story may feature a person, object, situation, or culture that celebrates successes or explores troubles and hardships. In journalism, a human-interest story presents people and their problems, concerns, or achievements in a way that brings interest, sympathy, or motivation to the reader or viewer. Would you agree that this story creates emotion and enables our imaginations to wonder? Did your heart race and get goosebumps? What moral did you take away from the story? As a child or an adult, have you applied the reality that a sound and enduring structure requires hard work and the right components? The wolf falls in and is boiled to death. Finally, the wolf decides to come down the chimney, whereupon the pig who owns the brick house lights up a pot of water on the fireplace. The wolf then attempts to trick the pig out of the house by asking him to meet him at several places but is outwitted each time. The third pig was diligent and builds a house out of bricks, which the wolf fails to blow down. “Then I’ll huff, and I’ll puff, and I’ll blow your house in.” “No, no, not by the hair on my chinny chin chin.” “Little pig, little pig, let me come in.” Each exchange between the wolf and pig featured the phrases: We vividly recall that the pigs sang, danced, and played all day. The second little pig builds a house of sticks, which the wolf also blows down, and the second little pig is also eaten. Remember “The Three Little Pigs?” The fable begins with the title characters being sent out into the world by their mother to “seek their fortune.” The first little pig builds a house of straw, but the wolf blows it down and devours him. … As an artist designs, creates, and inspires, so does a gifted storyteller. A great storyteller evokes emotion and inspires change in the world through his or her creativity and connectivity.” And, if a story is interesting enough, the listener wants to hear more. Stories present events and actions in a manner that enables us to capture the cause and effect. ![]() ![]() Lester Morales, CEO of Next Impact, LLC, an insurance and marketing consultancy, says, “Stories are bridges for knowledge and understanding that engage the audience far beyond facts. So, what is storytelling? It is your ability to use words to stimulate the listener’s imagination … to paint a picture. Scott Addis, CPCU, CRA, ACRA, ASA THE ART AND SCIENCE OF STORYTELLING A potent and powerful communication vehicle to drive resultsĪre you a gifted storyteller? Do you use stories to engage others and drive emotion? Do you use stories to express your unique personality and your desire to stand out in a crowded marketplace? Do you use stories to get a point across? If so, you are using a potent and powerful communication vehicle to drive results.Įver since human beings sat around the fire in caves, we have told stories to help us deal with the perils of life and the struggle to survive. The film, supported by a California Documentary Project grant from California Humanities, is helmed by filmmaker Vivian Kleiman, with assistance from Justin Hall, the author of anthology No Straight Lines: Four Decades of Queer Comics (Fantagraphics Books, 2012.By F. NO STRAIGHT LINES highlights five queer artists-Alison Bechdel, Jennifer Camper, Rupert Kinnard, Howard Cruse, and Mary Wings-and their work which, once obscure, now is recognized worldwide. The exhibit also features behind-the-scenes clips from forthcoming California Humanities-funded documentary NO STRAIGHT LINES: THE STORY OF QUEER COMICS, which tells the story of how LGBTQ comics evolved from a marginalized underground scene to that of mainstream acknowledgement that we know today. Each piece provides a lens into complex stories which often defy categorization. The work of each artist reflects an aspect of queer identity that is often unseen or hidden in mainstream narratives-whether it’s illustrations of queer connections between everyday people of color by Mance, magical realist depictions of the inner world of an artist by Lindell, queering indigenous mythology with drawings by Escobar, or a coming-of-age story about family and ethnic identity by Nuñez. Highlighting the connections between queer identity and other lived experiences, California Humanities presents the narrative art of four contemporary Oakland-based queer-identified comic artists: Ajuan Mance, Breena Nuñez, Lawrence Lindell, and Trinidad Escobar. We Are More: Stories by Queer Comic Artists July 8–October 31, 2019
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